![]() ![]() Senjutsu is the band’s most panoramic album yet. The subsequent five studio albums strike the perfect balance between giving fans what they want, and augmenting what they do by bringing new ideas to the table, and as their new album attests, it’s not all sonic pile driving either. Remarkably, more than two decades later, they’ve managed to keep complacency at bay, still performing superhuman feats of virtuosity at a breakneck gallop, with no discernible chinks in their armour. Older and more experienced, they prowled with the same menace, exhibited the same hunger. With 12th studio album Brave New World, it seemed as if nothing had been lost in the interregnum, and in reuniting, something had also been gained. Maiden roared back into life in 2000, rejuvenated, recalibrated and reanimated. The announcement was greeted with jubilation by fans, but there was still some tittering at the back. That may well be true, but reformations are dicey and going back to what you know can be perilous. Even his own solo touring band thought it was his destiny, with one member telling him to return to the mothership: “The world needs Iron Maiden,” he said, earnestly. After six long years, Dickinson returned, the prodigal son. Blaze Bayley of Wolfsbane was a worthy replacement, but he wasn’t Bruce Almighty. Following the departure of the talismanic Bruce Dickinson in 1993 which ended the band’s decade-long “Golden Era”, the heavy metal giants struggled to stay relevant during the rest of the 90s, entering what looked like a prolonged death rattle. There was nothing inevitable about the 21st century renaissance of Iron Maiden.
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